Nationals Arm Race

(Spoiler alert if you haven’t seen the film or if you don’t know the story).

We havn’t done a review of a 30-for-30 documentary in a while because, well, it had been since April since one was released.  Now there’s been a whole bunch that premiered this month, and we’re catching up.

Here’s some quick thoughts on Big Shot, the story of John Spano‘s incredible story of financial fraud and duplicity that enabled him to “purchase” and control the New York Islanders hockey franchise for a brief period in the mid 1990s.  This film was directed and narrated by Kevin Connelly, better known as the character “E” from the HBO show Entourage.  Connelly grew up on Long Island, is a lifelong Islanders fan, and had intimately followed this entire story during his childhood.

On the whole, I did not think this was one of ESPN’s best films.  I disagreed with Bill Simmons‘ effusive praise to Connelly when they appeared on his podcast The B.S. Report, though in fairness it could have been a case of “stroking the ego” of the star.  Connelly should have gotten a professional narrator; his voice overs were amateurish and lacked the proper cadence for a serious documentary.  The film was 1.5 hours, probably 30 minutes too long for the story that it intended to tell.  Even with an hour and a half, there are basic details on Spano’s wikipedia page that went uncovered.   On the good side, the fact that Connelly got Spano on film (freshly released from his second stint in federal prison for financial fraud) really helps this story; I think back to the 30-for-30 piece on Allen Iverson that never featured the star player and the film comes of lacking.  Also, the wide list of interviews the film shows (including basically every player in the drama, including the NHL commissioner Gary Bettman) gives the film a lot of credit.  The podcast interview goes into some detail about this: Spano was very hesitant to do the interviews until realizing it was 30-for-30; had this been any other documentary he likelihood of Spano’s character getting completely trashed was high.

The story itself is amazing; Spano got an $80Million loan with almost no due diligence on the bank’s part.  $80 million.  Think about how much paperwork you went through the last time you bought a house or a car or a business loan.  And, it is amazing to think about this story and see how close Spano really came to pulling it off; he was within a couple of days of finding someone to make his first $17M payment, and you’d have to think with a year to make the next payment he could have found a way to continue the charade.  Also amazing to think is this: he *owned” the team; the papers were signed despite the money not showing up.  Its like the analogy in the film; if you sign over the title of your car to some other guy … that’s HIS car, whether or not you got any money for it.  Spano could have made this really, really ugly for the league when push came to shove, despite Bettman’s hollow statements that “the league never would have let” Spano continue to hold the team.

The funny thing is this; if you leave out the clear fraud, the phony documents, etc; this transaction was almost like an old school leveraged buyout.  You get loans covering nearly the entire purchase price of a company, using that same company as leverage, and then make the loan payments from the coffers of the newly acquired company.  Think about how Malcolm Glazer obtained control over Manchester United: a very similar deal.  He “bought” his portion with tons of loans, put those loans on the books of the club, and financed the payments on the backs of the club’s profits.  Spano himself was halfway to a completely leveraged buy-out already, and came pretty close to taking at least the first step towards the next phase.

The team has never come close to returning to its early 1980s glory years; it has just one division crown since 1985.  It hasn’t advanced in the playoffs since 1993, and in the last 15 years had streaks of 8 and 5 straight playoff-less seasons.  Whether that has anything to do with the ownership snafus, bad luck with players, or (more likely) due to difficulties working with Nassau county officials over the years (a fact only alluded to in the film) getting needed stadium upgrades remains arguable.  As for Spano (as detailed in his wiki page), he got out of prison and was soon back for repeated financial fradulent behaviors.

All in all; a great story.  But the documentary left a bit to be desired.

This should have been a seminal athletic moment of the 80s. It ended up being so, but for very different reasons. Photo unk via dailymail.co.uk

Editor’s note: there are spoilers in this review, and if you have not seen the film they are surprising enough that you may want to skip this post and see the film first.

The 2nd installment in the return of the “30 for 30” series aired on October 9th, 2012 and is titled “9.79*.”  Directed by Daniel Gordon (a decently acclaimed british documentarian), it tells the story of the 1988 100m Men’s final from the Seoul Olympic games.  As most sports fans would be able to tell from the title, the race was won by Ben Johnson in a then-world record time of 9.79, an astounding improvement upon the standing world record and a seminal event in the sports decade.

Soon after though, Johnson tested positive for the use of Steroids, was stripped of his medal and booted from the games, and the event was a shocking introduction to the world of doping and the use of performance enhancing drugs that has only exploded since.  Nowadays, we hear about Baseball players using steroids and the narrative is familiar.  The USADA just released its report by which it made the decision to charge and eventually ban Lance Armstrong and attempt to strip him of titles won 10+ years prior.  But in 1988, the only knowledge of doping that casual sports fans knew of was allegations of eastern bloc athletes (women mostly) who were astoundingly breaking records in Swimming, Track and Weight Lifting.

(Here’s an excellent review of the film, doing it much better than I: avclub.com)

As with before, I’ll break down talking about the Subject Matter and then the film-making.

Subject Matter: the film maker got all 8 participants in the 1988 100m final to appear on film and talk somewhat candidly about the state of the sport leading up to that race, the role of drugs, and the ethical dilemna they all faced.  Contrast this to prior 30 for 30 films about Allen Iverson and Michael Jordan which didn’t include any on-screen interviews from the subjects.  The fact that Johnson himself speaks at length and openly about the experience makes this a pretty compelling watch.  Even more-so based on points we’ll touch on later…

The film starts off with an anonymous quote, “If you don’t take it, you don’t make it.”  The implication is, if you’re a runner in the 1980s and you’re not taking drugs, then you’re not going to win.  At least one of the interviewees (Calvin Smith, he himself a banned doper who was awarded the Bronze medal upon Johnson’s disqualification) talked openly about this choice.  Runners train extremely hard to only have a shot at coming in 5th or 6th place in the face of other runners who were cheating, leading (much as we saw in the Cycling world) to an escalating arms race of doping to “re-level” the playing field.  It is an awful choice to make for an athlete; stay clean and never win, or cheat like everyone else and give yourself a shot at lucrative glory.  I don’t know what choice I’d make if forced to.

(Editor note; I mis-quoted Smith in this paragraph; it was someone else who spoke about doping, not Smith.  By all accounts, Smith never failed a doping test and many think he should have been retro-actively awarded the Seoul gold medal after the three men ahead of him all subsequently failed tests.  Thanks to a commenter for pointing this out).

The film doesn’t outright “accuse” Carl Lewis of doping himself, but the implication is pretty clear and pretty stark.  One person talks about how taking HGH forces adults to get braces (since the substance causes the jaw bone to grow far after it typically stops growing in adults), and then a few minutes later shows Lewis in 1987 … wearing braces.  Lewis himself doesn’t do himself any favors, nor does his coach and head cheerleader Joe Douglas, who seemed all too eager to brag about the sundry things that went on, or about the money that was greasing the skids in the mid 1980s in the sport.  I was left after watching thinking that Lewis was just as dirty as the rest of the competition, just that he got “out-roided” in the final.

A very frank interview with the head of the testing lab from the 1984 Olympic Games also raised some eyebrows; he accused the powers-that-be of outright ignoring the results they were seeing, and he seemed to imply that the 1984 Olympic organizers ordered him to sweep positive tests under the table so as not to sully those politically-charged games.  He kept previous samples and re-tested them years onward and found rampant drug use in the 1984 games, but he decided to destroy the evidence rather than re-open yet another investigation into past results.  I slightly disagreed though with the premise of the lab director that testing is a simple either/or principle; as Malcolm Gladwell pointed out on a recent “BS Report” podcast, to conclude that an athelete has tested positive for certain markers (especially testosterone) is incredibly difficult, since your natural testosterone levels ebb and wane on a day to day basis, are affected by your moods and naturally degrade as you age.  They’re even affected by what you eat!  And, as we learned in the Ryan Braun debacle, testosterone levels in samples can quickly change if not properly stored (If you don’t know what I’m talking about, read my post on the topic from February 2012 and read Will Carroll‘s amazon story about what *really* happened.  It is well worth the read.  Or just read this piece at the HardBallTimes to understand why I don’t believe Braun cheated at all).  So unfortunately drug testing is more of an art form than something that provides conclusive proof.  And that is troubling, since in order to justify its existence a drug testing lab needs to, you know, find people who cheated.

The most outrageous point of the documentary made came from Johnson, and was a shocker.  He accused a member of Lewis’ camp of spiking his post-race beer after the 1988 100M final with the same steroids he then tested positive for.  The accused person refused to be interviewed on film but provided an incredible quote when asked whether he spiked the drink; he said something along the lines of, “Maybe I did, and maybe I didn’t.”  What kind of answer is that??  Of course he’s not going to admit such a thing, but the lack of a powerful denial almost seems like proof in and among itself that this hanger-on of Lewis’ purposely spiked the drink.  The back-story of the bad blood between the runners and the massive competition for the fastest times in the season leading up to the Olympics, to go with the arrogance of Lewis and his coach makes the accusation of a spiked drink completely believable.

From a film-making perspective, I thought the documentary was very well filmed, with excellent b-roll shots of Toronto (where Johnson is from) and other on-location spots.  You can slightly quibble with the “faked” footage, but most of the b-roll is used as supporting shots being played during quotes from the participants.  It was a little difficult to understand all the interviews, mostly because of the heavy West Indian accent of Johnson and his country-mates.  But that also may be because I was watching the film late at night and trying not to wake my wife :-).  I’d place this film somewhere in the middle-range of the pantheon of 30-for-30 films.  It was an interesting watch but i’d probably not bother to watch it again.

I'll bet Mike Tyson wishes he still had some of this cash. Photo unknown via esquire.com

[Editor’s note: Non-baseball, non-Nationals post.  Originally written in early October right after this show aired but saved until baseball season was over.  If you have some time, I highly suggest either getting it on-demand or find a re-run].

The fantastic 30 for 30 series is back on ESPN.   The great news was first published in May 2012 and the first installment of the new series aired on 10/2/12.  I like doing reviews of the 30 for 30 series (if you search for “30 for 30” in quotes you can see some of the past reviews on this site), and I’ll try to do them for the new episodes.  If you’re interested in past looks at ESPN Films and my thoughts on the original series, you can click “30 for 30” in the Category Tab to the right and get all posts on the topic.

First up in the new series, “Broke,” a 1.5 hour documentary by director Billy Corben about the amazing propensity for professional athletes to go bankrupt soon after retiring despite having made millions in career earnings.  This is essentially a documentary version of the seminal 2009 Sports Illustrated article on the same topic.  The film had some decent  interviews and covered several of the typical pitfalls that cause athletes to squander money.  In no particular order; blatant overspending on cars, jewelry and houses, financing your family, neighborhood and your entourage, poor choices in advisors, poor financial advice from these “advisors,” squandered business investment, predatory women and marriages, child-support payments that are tied to a player’s salary, and of course the most basic one; absolutely zero retirement planning.

(If you want to read some  highlight quotes from the documentary, click on thisBusinessInsider.com link here.  If you want to read Jason Whitlock‘s op-ed piece inspired by the documentary, click here.  Lastly, a review from Hitfix.com on both Broke and the 2nd in the series is here; we’ll cover 9.79 in a separate post).

My quick review: liked the subject matter, didn’t like the presentation.

The subject matter continues to be topical, nearly every year we hear about guys who have gone broke.  The documentary listed dozens and dozens of them at the end of the film.  I’ve often wondered how these guys manage to go broke despite 10s of millions of dollars in guaranteed income, but in reality its relatively easy.  You can somewhat excuse it when a guy like Curt Schilling loses his baseball fortune attempting to start a software company, but its a bit more inexcusable when you hear about a guy who “makes it rain” in strip clubs with hundred dollar bills.  That being said, for every Magic Johnson (who has made a massive fortune owning/operating Movie Theatures and Starbucks franchises, of which he owns more than 100) there are dozens of tales of investments in Car Washes, Restaurants and Record Companies going bad.  The film prominently featured Jamal Mashburn, who has turned his lucrative NBA career into the next coming of Johnson; he’s followed Magic’s lead and purchased dozens of franchises in Kentucky; per wikipedia and the film he owns 34 Outback Steakhouses, 37 Papa John’s franchises and a number of car dealerships.  Just 40, he’s apparently amassed enough wealth to be in the discussion to purchase an NBA Franchise.

The most egregious examples of pro athletes going broke were not interviewed for the film; Allen Iverson (career earnings in excess of $200 million including salary and endorsements), Evander Holyfield (career earnings estimated at about $200M), Antoine Walker (career earnings of $110M before taxes), Vince Young (ALREADY broke despite a $26M guaranteed contract just 6 years ago!)  and the most ridiculous example being Mike Tyson (career earnings of $400M, all gone).   A bit of googling resulted in this interesting “Top 10 worst Financial Meltdowns by Athletes” and its a bit mind boggling.  The director noted that most of these guys who have been forced to declare bankrupcy for vast sums are far too embarassed to appear on the film, hence the rather random collection of on-screen athletes who did appear (among others, Bernie Kosar, Andre Rison, Keith McCants, Sean Salisbury and Cliff Floyd).   I’d say that Rison was probably the closest we’ll see to the blatant modern-day squandering of money that we hear stories about, while Kosar and Salisbury befell some of the other classical bankrupcy issues mentioned above.

The section on predatory women was kind of sad really; the film interviewed a blogger whose site (Baller Alert.com, I kid you not) sends out alerts to female subscribers if/when they find out that basketball players are going to be at a certain location.  The blogger noted that one time she announced that an NBA player was at a club in DC and an hour later 1,000 women showed up.   This isn’t the first time I’ve read about this culture in the pro sports world; the book Andy Roddick Beat Me with a Frying Pan the author decided to find out how easy it was to bait a pro athlete into hooking up, so he recruited a former girlfriend, she got some “coaching” as to how to dress and act, and they inserted her into a bar situation where a known pro athlete was present.  Sure enough, the athlete sent over a handler and tried to press onwards with a relationship.

I was left with two overriding thoughts after watching the film:

1. It was really, really difficult to watch this film as a middle-aged white male and not pass judgement on the ridiculous spending exploits of predominantly young black males.  I alluded to salary just a couple weeks ago in this space, talking about how John Lannan was set for life on the basis of his $5M 2012 contract and how I didn’t necessarily feel sorry for the guy.  But the fact is that most athletes don’t see a singular payday this way.  The film certainly wasn’t apologetic for these guys getting into trouble; it merely analyzed what generally happens to these  young players.  They get paid, they spend money, they make mistakes, they have children out of wedlock and incur massive monthly payments, they buy 5 houses and 8 cars, they don’t plan for the future … and then suddenly they’re out of the game and they go from millions a year to Zero income.  It is a common tale.  This documentary certainly isn’t EXCUSING this behavior; it just explains how it happens.

2. I’m surprised that the pro sports don’t do more to heed this off.  The film showed Herm Edwards giving the incoming NFL rookies his speech at the Rookie Symposium … and then talked about how most rookies sleep through the sessions.  I’m surprised that the unions havn’t recognized this as a massive problem and forced some sort of IRA contribution out of their players upon entrance to the leagues.

From a “film critic” stand-point, while the subject matter was pretty interesting I wouldn’t rank this film with the upper echelon of 30-for-30 works (“The Two Escobars,” “Four days in October” being some of the best of the original run).  I thought it could have been done in an hour, I thought it should have done a better job focusing on the more egregious cases of players gone bankrupt, I thought they could have found better representatives to talk than guys like Homer Bush and Sean Salisbury (Homer Bush!?  I had to look him up on b-r.com: 409 career games?  And he’s talking about athletes squandering millions?  Well, he did manage to make $7.7M per his b-r page, so that’s not chump change.  Bush reportedly was not happy with the way he was portrayed in this film, as mentioned on Slate’s Hang Up and Listen podcast).  Lastly I thought having the SAME song playing for virtually the entire show got old, fast.  Critics didn’t like the “soundbyte after soundbyte” presentation, which lasted well into the film.

Photo courtesy of ESPN Films, the producers of the series.

For me, the ESPN “30 for 30” series was one of the best creations of TV over the past few years.  The documentary approach to sports journalism has been refreshing and (in most cases) great TV.  When sports programming can keep even a passing sports fan (my finacee) interested and asking for more, you know its been done well.

I listen to almost exclusively podcasts in the car these days, and one of my favorites is the “Firewall and Iceberg” podcast recorded by the lead TV reviewers Alan Sepinwall and Dan Fienberg from www.hitfix.com.  I first learned of reviewer Alan Sepinwall by his appearances on Bill Simmons‘ podcasts (which are first in line to listen to when they get released) and really enjoy his reviews online and their podcasts.

I happened to be perusing the hitfix.com site lately (I was looking for the name of a show they were extolling on the latest podcast) when I came across this link: Dan Fienberg’s rankings of the 30 “30-for-30” shows.  While I did appreciate most of his comments, I didn’t necessarily agree with the rankings he came up with for the programs.  Since i’ve seen every one of the series, I thought i’d go ahead and do my own rankings.

Disappointing or Unwatchable

• “Marion Jones: Press Pause”   As most critics have noted, this essentially turned into a glorification of Marion Jones and never once delved into her steroids usage, why she did it, or touch on any of the real issues involved with her.
• “Without Bias” – It essentially was a step-by-step review of the story of the player without adding much analysis to the story.
• “Straight Outta LA” – Unwatchable, I turned it off halfway through.  Ice-T‘s not much of a filmmaker.
• “One Night in Vegas” – Another really weird documentary, especially with the gangsta-poem readings at the beginning and end of the show.  I find it really difficult to glorify the death of a rap star who essentially talked his way into being a target.
• “Silly Little Game” – Re-enactment of the first group of people to play fantasy baseball; it sounds as interesting as watching the first accountants come up with regulatory principles in a room together.
• “The House of Steinbrenner” – This wasn’t so much a documentary as it was a glorification of a franchise that has used its superior financial might for the entire century.  Poor Yankees fans; your stadium has been replaced with a Billion dollar monstrosity that has $4,000/game seats and is guaranteed to skew the revenue system in baseball for another 50 years.  Awesome.

Watchable but could have been done better

• “The Birth of Big Air” – Matt Hoffman certainly is an interesting character but I don’t really consider extreme sports of any kind to be “real” sports.  Yes they’re difficult feats of athletic prowness … but so is ballet dancing.  Yes, i’m difficult to watch most olympic sports with 🙂
• “The U” – Too long, and gets bogged down in the year-to-year machinations of the program.
• “Unmatched” – Such an uncomfortable documentary; I came away from watching it with the interesting storyline that Evert and Navratilova were such friends … but the tone of the story and music choices had me essentially waiting for the lesbian coupling that seemed to be so pushed by the filmmakers.  Ugh.
• “Little Big Men” – Good story, but there’s been so many American little league winners, as well as the dilution of the field, that this story loses its impact.
• “Guru of Go” – Perhaps combining both the story of Hank Gathers’ death AND the basketball system of Paul Westphal confused the story.
• “The Legend of Jimmy the Greek” – one of the very first ones shown and certainly an interesting story, but the re-enactment voice over ruins the story.
• “June 17, 1994” – Brings bad some strange memories.  I loved the never-before-seen footage of sportscasters but I thought the story could have done with actual images and story telling.
• “Run Ricky Run” – Another weird documentary.  Hard to feel remorse for a drug using athlete though.
• “Muhammad and Larry” – This was perhaps the most depressing of the series.  Ali was so brain damaged by the time he took this fight, it seems almost criminal now that he was allowed to fight.  The story drags though, using weird fillers for most of the time and not really showing the fight itself.

Interesting watches

• “The 16th Man” – Good, but so was Invictus.
• “Jordan Rides the Bus” – I love Ron Shelton‘s work but you cannot help but wonder how good this would have been with actual participation from Michael Jordan.  You come away from the story with the thought that Jordan actually had talent and that he worked at his baseball craft.
• “The Pony Excess” – Lots of interviews, great detail.  Probably a bit too long though.
• “Tim Richmond: To the Limit” – I thought it was really interesting that NASCAR turned out to be so introspective about the clear mis-treatment of one of its own … all in the name of fear over his illness.  Read his wikipedia page for some really interesting notes about his essentially be framed for his positive drug test.  I cannot imagine this news breaking in Nascar or any other major sport today.

Good to Very Good

• “Fernando Nation” – If you don’t remember just how amazingly dominant Fernando Valenzuela was when he came to MLB, check out his baseball-reference page.  In his rookie season he threw EIGHT shutouts, and started the season 8-0 with 8 complete games, and only gave up FOUR earned runs in his first 8 starts.  That’s a heck of a start to the season.  The story telling related to the treatment of the Mexican-American community in Los Angeles was also interesting to learn about.
• “No Crossover: The Trial of Allen Iverson” – Another that really could have used involvement of the principal character of the story.  Nonetheless, the substories related to the high school rivalries and politics of the Tidewater area were fascinating, if not necessarily substantiated.  Having lived in Virginia at the time, the amazing part of the Iverson story was that he was named both the Football and the Basketball player of the year in the state … as a Junior.  He undoubtedly would have done the same as a senior.
• “King’s Ransom” – Interesting story telling from a great director in Peter Berg.  The involvement and discussions with Gretzky on the golf range really gave this story its life.  Unlike the story of LeBron James moving cities and destroying a franchise, Gretzky’s departure clearly altered the direction of the Edmonton Oilers for the long run.
• “Small Potatoes: Who Killed the USFL?” – Some criticized this documentary, but just for the interview with the incredibly egotistical Donald Trump make this for me.
• “Into the Wind” – Such a moving story. Steve Nash‘s involvement was really special in telling this inspirational Canadian pride story.

The Best of the Series

• “Four Days in October” – A great documentary if only for the fantastic interviews with Pedro Martinez.  I found the footage of the Red Sox players facing a 3-0 deficit fascinating, and the drama of the games in retrospect makes the Boston comeback even more amazing.  Update: After several re-watches, I moved this up in my rankings.
• “The Band that Wouldn’t Die” – Most say this is the best of the series.  I feel they’re getting starry-eyed by the director (Barry Levinson) versus the actual story.  But this obscure story is a highlight of the series and is a great example of the richness of American sport as a subject matter.
• “Winning Time: Reggie Miller vs. The New York Knicks” – One of the absolute best stories.  The interviews with Reggie Miller and Spike Lee make this one of the best of the series.
• “The Best That Never Was” – My father immediately recalled who Marcus Dupree was, and this story was an interesting tale.  My biggest takeaway was the 100% positiveness of Dupree, even today.  He’s not angry or sad about what his life has become (he’s a truck driver in rural Mississippi).  On the contrary, he’s grateful for everything he had and all the opportunities he got.
• “The Two Escobars” – the footage, interviews and story told here was fantastic.  I only wish it was not 100% subtitled.
• “Once Brothers” – Another great story, told through the eyes of the very human Vlade Divac.  It could have used a bit more subtext into the politics behind the split of Yugoslavia for those of us who get lost in the mid 80s politics.

If I had to give a best and worst, I’d probably go with “The Two Escobars” for best and “Marion Jones” as the worst.  I can’t wait to see the stories they have in the pipeline.  Steve Bartman should make for a great story to tell.  The great news is that the series will continue and some of the original ideas proposed will be explored.  Again referring to a Bill Simmons podcast, here’s some of the original series ideas kicked around that may still be turned into documentaries:

• 86 masters
• 89 ws earthquake
• Tysons-robin givens Relationship
• doc and darrell
• title 9
• dream Team
• fab five
• wwf/ andre the giant (couldn’t be done b/c Vince McMahon owns all the film)
• 94 rangers
• kerri suggs
• scott norwood/scapegoats (delayed b/c of the Bartman film)
• racism in sports
• franchise relocation (pushed off b/c of the Levinson Baltimore Colts band story)
• pete rose

Here’s to a great series and many more great documentaries.

5/11/11 Update: ESPN’s 30-for-30 site now allows you to rank the series yourself, which I did and ranked them as such:

1.Two Escobars
2.Band/Wouldn’t Die
3.Reggie Miller
4.Marcus Dupree
5.Four Days Oct.
6.Once Brothers
7.No Crossover
8.Who Killed USFL?
9.Fernando Nation
10.King’s Ransom
11.Into The Wind
12.Jordan Rides/Bus
13.Pony Excess
14.Tim Richmond
15.The 16th Man
16.Muhammad / Larry
17.Unmatched
18.Birth of Big Air
19.Little Big Men
20.Jimmy The Greek
21.The U
22.Guru of Go
23.June 17, 1994
24.Run Ricky Run
25.Without Bias
26.Steinbrenner
27.Silly Little Game
28.Straight Outta L.A.
29.One Night/Vegas
30.Marion Jones

After submitting my rankings, I could see how the rest of ESPN nation had these ranked and was rather surprised.  As of 5/11/11, here’s the rankings overall:

1 The U
2 Pony Excess
3 Marcus Dupree
4 Reggie Miller
5 Run Ricky Run
6 Two Escobars
7 Without Bias
8 June 17, 1994
9 Once Brothers
10 No Crossover
11 Muhammad / Larry
12 Jordan Rides/Bus
13 One Night/Vegas
14 Four Days Oct.
15 Who Killed USFL?
16 Straight Outta L.A.
17 King’s Ransom
18 Guru of Go
19 Jimmy The Greek
20 Steinbrenner
21 Band/Wouldn’t Die
22 Into The Wind
23 Silly Little Game
24 The 16th Man
25 Fernando Nation
26 Little Big Men
27 Birth of Big Air
28 Unmatched
29 Tim Richmond
30 Marion Jones

“The U,” which I thought was only mediocre, led by a fairly large margin over #2.  My #1 film “The Two escobars” was in the top 10, but was 3rd in overall #1 votes.

Post publishing edit: on 8/13/17, SI.com’s Media writer Richard Deitsch published his list of hte best 30 for 30’s.   Many of his best list are those done well after this list was created.